National Theater

The national theater needs a national theory based on the great empire. Because Iran's theater is not only national, but also retrospective and foreign-oriented. That is, it often deals with the theaters of the 19th century. Even if it has a religious appearance. When the theater becomes national, it also becomes self-governing because the people are not ready: to chant death to England and France, then pay for the theater: to see what has happened in Europe. Therefore, we can see that contrary to these, Eugen UNESCO was a Shiite himself and his real name is: Hossein Yunsi and his book is about Shammar Dhi al-Jushan. But in the heavy anti-Shia atmosphere of Europe, he had to make changes to hide it from view. German poet Goethe also did this. He was actually an interpreter of Hafez's poems. As a result of Hafez's poems, he realizes the oppression of Shia (heads with cut off noses, no cruelty and no crime), so at the end of his life, he even changed his handwriting to the handwriting of Shia imams. And writings and manuscripts: it remains from him that he practiced Ya'ali. Therefore, we see that unlike the Iranian westerners! who are begging the West. They themselves are beggars: in the house of Shia imams. Muhammad Ali was the symbol of Shia in America. Instead of Cassius, he named himself Muhammad Ali. And he also participated in Friday prayers in Tehran. South Africa has filed a complaint against Israel at the Hague Court! While in this half century of the revolution, no lawyer in Iran even comes to his mind! to complain against America and Israel. Therefore, in order to nationalize the theater, one must first have a theory. For example, if we accept that: Iran was, is and will be a superpower, at least three thousand years of history will come out of this: if it has three important stories every year, ten thousand plays can be written from it. The current stances are also the same as my 70th Masnavi: like the war in Ukraine: two superpowers lost their lives, but a cheap Iranian drone upset the balance of power. Or in the Al-Aqsa storm that: Shabikhon went to the artificial intelligence conference, and arrested 250 drunken scientists, along with computers, and transferred it to Iran. This theory still helps us: not to stay in the past! But let the past be the light of the future. And thousands of imaginary and real scenarios come out of it: for example, walking to Quds! And that we say: Al-Quds is not a slogan, but really Al-Quds and all the lands belong to Iran: during the crusades when they occupied Al-Quds, an Iranian named Saladin Ayyubi liberated Al-Quds. Even now, only an Iranian can release the first and second qibla. Until recently, they were Ottoman subjects, but they had Persian script. And there are a lot of Sasanian period artifacts there. The United Nations, the largest separatist organization, pulled 210 countries out of Iran and the Ottoman Empire. And they are still looking for it, by promoting local music, local clothes, etc., to bring eight other countries out of Iran. Naturally, when we have so many scenarios, we don't need western scenarios. It is not necessary to repeat plays without spectators. And pour the government budget into the well. With this scenario and many beautiful plays, we are thrown from the past to the future. And creating hope will not be limited to slogans. A theater student does not get confused: he is suddenly thrown from the Islamic society and environment and the education of the mosque and Basij into a world that is unknown to him: he does not understand Hamlet, he does not understand the rhinoceros, Chekhov, Brecht and others. does not know But the names of Arash, Erio Berzon, Sorena, Amir Kabir Soleimani, etc. have a nostalgic feeling for him. He is proud of them. And therefore it pays. The government also budgets. Because theater without theory is more like opposition. In the same press conference, we saw that: Sazandagi reporter broke the norm and said whatever he wanted, but Mahin News reporter was severely attacked and his words were interrupted. Even in the press conference of the Minister of Guidance, the construction company represented by agents was more difficult!